However, local talks about a new parking garage to replace Loew's State Theater made Hamann and Hansen move the Company to a new place this time to 1935 Euclid Avenue, previously known as the Corlett Building. Hamann had known Hansen since high school and worked with him in his early years at WDOK. Due to his struggling health, Wolf sold Cleveland Recording to Hamann and fellow engineer John Hansen in 1970. In the late 1960s, Wolf's health began to decline, but he continued to help with Cleveland Recording. Hamann worked so much Wolf promoted him to chief engineer by 1956.
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Clients for Cleveland Recording varied from high school students to professional musicians, and every time a recording session took place, Hamann tried to improve the recordings and upgrade the technology. He experimented with recording sounds using a 3-channel recording system. Hamann played with other types of recording equipment. This included recording sounds at Euclid Beach Park and its roller coaster. The process involves combining multiple tracks into one, mixing together and overdubbing on track recorders. Like other hi-fi hobbyists, Hamann experimented on what was called the "ping-pong stereo" method, recording environmental sounds on an Ampex 2-channel recorder the studio had. Once there, Hamann used his skills in aviation electronics, inventing and building his own recording equipment.īy the late 1950s, Hamann worked to improve the recording process at Cleveland Recording.
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After he left the Navy, Hamann received an FCC operators' license and accepted an open position at WDOK, another radio station Wolf founded the same year. Wolf was no engineer, so he needed additional help working on Cleveland Recording’s technology. The transition prompted Cleveland Recording to move into the fourth floor of Loew's State Theater, at 1515 Euclid Avenue. This purchase also meant a name change-from Carnegie to the Huron Building. In 1947, a Chicago real estate operator purchased the Carnegie Hall Building, including its common stocks and open spaces. But I insisted we leave the clinkers in, because people like it better that way." When Yankovic left, Wolf held on to some of Yankovic’s money until he returned. Yankovic recalled that "there wasn’t any time to fool around if we got a note wrong, we just had to keep going. Yankovic joined the Army in 1943, leaving little time to continue his recording sessions. Of the many polka groups that recorded in Cleveland, the most well-known was Frankie Yankovic, the future "King of Polka." Yankovic started working with Wolf in 1938, recording some of his first polkas at Cleveland Recording.
Since Cleveland was known as the "Polka Town," every Sunday Wolf and company broadcast their respective half-hour shows of eastern and central European polkas. Once set up, Wolf and his friends moved into the space at 1220 Huron, broadcasting classical music and polkas. Wolf developed a dream of ethnic radio broadcasting, so in the mid-1930s he purchased transcription equipment from Crystal Recording. A native of Prague, Czechoslovakia, Wolf accompanied his younger brother James to the United States while James went to Chicago, Wolf stayed in Cleveland. Wolf founded the Cleveland Recording Company, first located in the Carnegie Hall Building at 1220 Huron Road, which had been built as a multistory auto garage before being turned into an office building, marketed primarily to performing arts organizations. The CRC produced local and national hit records, helping shape Cleveland's growing reputation as a musical capital. The Cleveland Recording Company operated during a time of technological advances in music recording. These three bands had one thing in common their hits were recorded and produced at one location - the Cleveland Recording Company. The band recorded many hit records, as did many other bands during the 1960s and 1970s, including The James Gang and Wild Cherry. "Everybody’s doing a brand new dance now come on baby, do the locomotion!" Sound familiar? It’s the cover hit, "The Locomotion," by Grand Funk Railroad.
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